My Cartoonist Guide

Chapter 1169: Drawing Circles

What?

Both Xi Muhan and Yan Fei were taken aback.

Wang Wenhong sighed, "You two, one focuses on the work related to "s dunk", while the other prepares new works, collects materials, and doesn't watch the news of District 11 at all."

"What happened to District 11?" Xi Muhan asked curiously.

"Gossip, I'm not sure...Not long ago, Fan Yinmo recorded it himself for a while, saying that he is the author of "Doomsday Rescue"."

"That's right."

"Someone in District 11 pointed out that this is not the case." Wang Wenhong exhaled.

"Eh?"

"What's the meaning?"

Yan Fei and Xi Muhan were all taken aback, while Wang Wenhong took out his phone and clicked on a webpage.

The two took the phone and their eyes fell on the webpage.

Below that video, there is even a Japanese translation, and below the video, there are some rumors that are very eye-catching.

""Doomsday Rescue" wasn't drawn by that Asker at all. He bought the manuscript, and won a Golden Paintbrush Award after one handover. Now I know that the comic circle in Huaxia is really messed up!"

"What do you know? "Doomsday Rescue" was originally very good, and it is normal to win the Huaxia award."

"The question is, is this news true?"

...

This message did not arouse heated discussions. On the one hand, the person who first made this statement did not reply. On the other hand, the asker (Fan Yinmo) is not well-known in District 11, and most people do not know it.

Without fame, naturally there will be no popularity.

"This doesn't seem real, does it?" Xi Muhan smiled awkwardly, "And, the heat is too low."

"Flies don't bite seamless eggs. If it's really nothing, there probably won't be such news." Wang Wenhong explained.

"But if no one pays attention,

Is this the end of the matter? Just like this news, there are very few people who pay attention. "Xi Muhan replied.

"That's true... But, you can follow up on this matter again, what if someone finds out after a year or two?" Wang Wenhong stretched his muscles, "If you really plan to use 'cartoon artists' as the theme, It is estimated that it will take several years to paint, there is no rush."

"Wait, eat melons, eat melons. If you want to draw this matter into a comic, you really have to think about it." Yan Fei reminded, "After all, more than one person is involved."

Art comes from the processing of life, but it cannot be used directly.

"No." Xi Muhan waved his hand, "I'm just planning to eat melons. As for whether to draw such a plot, I really haven't made up my mind. Will readers be interested in such themes? Manga with cartoonists as the protagonists, It should be considered relatively small, right?"

"This is the question from before. You know the routines commonly used in comics. If you want to be recognized by readers, you must work hard on the content. The three of us think about it carefully, and we should be rewarded. If it doesn't work, then ask Mr. Shen suggestion?"

"No." Xi Muhan quickly waved his hand, "I don't want to give him a half-finished product, and I'll tell him confidently now... What if it doesn't work out in the end?"

That would be embarrassing.

"Then, I can only read comics of the same type in District 11." Yan Fei said.

Huaxia does have comic books that teach manga drawing, but that kind of book is difficult to serialize in comic magazines—the serialized cartoonists are more powerful than the authors, so who teaches whom?

Since it was not serialized in comic magazines, it was not considered by Wang Wenhong. Also, there are really very few works that really tell about cartoonists—not teach cartoons.

There are no reference works in China, only the 11th district of the country can be considered.

...

"S Dunk" is currently being serialized, and Shen Xin seldom cares about other things. She just listens to Xi Muhan talk about what she saw and heard during the day when she returns home.

Having not heard her talk about Fan Yinmo for several days, Shen Xin thought it was over like this.

After all, there are good and bad things about studios. Everyone has different opinions. Even Shen Xin herself, it is difficult to judge whether this model is good or bad for comic practitioners. Words, good or bad.

But it exists, and it exists for a reason, and it is difficult to eliminate the existence of the studio.

A businessman seeks profit, as long as there is interest, there will be someone to do it, but the person who is currently being pushed into the public eye is Fan Yinmo.

The studio should still have its potential for development.

In fact, Fan Yinmo also has the same idea. One studio can make money, and the other, although he doesn't draw comics very much, he still has some love for comics. If hobbies can be combined with career, of course it is the best thing.

However, "ic future", "anga fly", and even Duomanwang and Qingyue expressed their attitude towards the studio, which suddenly reduced the studio's living space a lot.

If you have one or two comics that are serialized on top platforms and have achieved good results, it will be of great benefit to the studio's publicity.

If a company wants to be recognized by more people, it must have its own competitive products. Even when it is bragging to the outside world, it is easier to attract better people. Even in order to make these people more confident in his studio, he also Take out two comics that are relatively well-known in the circle.

One is "Full House", one is a comic created by Qiuqian, and "I'm Not a Teacher" - a comic about campus.

Sometimes when meeting a particularly outstanding person, he may even pull out "The Demon King's Tutor".

Of course, since Snow's salary is not paid by him, he can only say that this is a cooperative project between the studio and Yishu Culture.

This is like the recruitment of major training institutions. It is easier to attract people by setting an example or two.

As for "A World Without Demons", Fan Yinmo really attaches great importance to this comic, and it is really difficult to achieve results in "ic future".

Now, after "ic future" issued a statement, it was even more impossible for him to promote "A World Without Demons".

However, the successive voices of several platforms also cut off the possibility of him wanting to use several major platforms to promote his work-if he really encounters a good work in the future, he can continue to contribute, and at most he will benefit from it. But for now, he still has to avoid the limelight.

The authors he signed mainly focus on second-tier websites. Because the website is small, I have the opportunity to negotiate terms with the website, either to give more publicity, or to ask for part of the copyright.

From the perspective of the studio's income alone, platforms such as "ic future" have little impact on him-at least, he originally thought so.

However, Fan Yinmo forgot one thing, the cartoonists who signed contracts with him are people, not objects.

At the beginning, they were willing to sign a contract with Fan Yinmo at a very low single-page fee, in order to one day become a first-line cartoonist, at least to be as famous as Qiu Qian and Wei Mao, but now, the announcement of "ic future" is equivalent to Said that it is basically impossible to rely on the studio to serialize on the first-line platform.

These cartoonists are not very receptive to this situation.

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