Chapter 3298: The Third Style of Nine Realms Swordsmanship: Supreme
Behind him, the ancient sword book has emerged, and sword intents are shrouded in the ancient sword book, condensing a new chapter.
The profoundness of the Tai clan swordsmanship is beyond any swordsmanship Chu Fengmian has ever seen.
Even the first swordsmanship of the first sword emperor is slightly inferior to this Tai clan swordsmanship.
After all, no matter how strong the first sword emperor is, he is just one person, an invincible sword cultivator, but this Tai clan swordsmanship is the swordsmanship created by the sword cultivators of the entire Tai clan. The power of the clan is far stronger than the power of one person.
The many mysteries of this Tai clan swordsmanship were gradually comprehended by Chu Fengmian and integrated into the ancient sword book.
Chu Fengmian sat cross-legged on the ground.
The ancient sword book above his back is a page of new chapters, which began to condense and began to integrate into the ancient sword book.
The strength of the Tai clan swordsmanship can be said to surpass any swordsmanship in the ancient swordsmanship books. Many mysteries have been integrated into the ancient swordsmanship books, which is enough to form its own school.
"Use this Tai clan swordsmanship to create the third style of the Nine Domain Swordsmanship."
Chu Fengmian's mind moved, and he used this Tai clan swordsmanship as the basis to create the third style of the Nine Domain Swordsmanship.
The first style of the Nine Domain Swordsmanship, Kaitian, is the condensation of many swordsmanship strengths in Chu Fengmian's ancient swordsmanship books.
The second style, Guiyi, is Chu Fengmian's integration of the five swordsmanships of the First Sword Emperor, which was reborn from the first swordsmanship and turned into a swordsmanship.
This third style of swordsmanship was created by the Tai clan swordsmanship.
Of course, the third style of the Nine Domain Swordsmanship is not the Tai clan swordsmanship, but the swordsmanship created by Chu Fengmian by integrating many mysteries of the Tai clan swordsmanship into the ancient swordsmanship books and turning it into Chu Fengmian's own swordsmanship.
It also contains Chu Fengmian's understanding of the sword in the ancient sword book, and the combination of the two creates a brand-new sword art.
Chu Fengmian's sword art is pushed to the extreme, and a sharp sword intention bursts out in this palace. Fortunately, Chu Fengmian was well prepared. Before the retreat, he used all his strength to block the surrounding aura.
Otherwise, such a movement would definitely be enough to shake the entire Tianjian Territory Imperial City.
Boom! Boom!
On the ancient sword book.
The power of the Tai clan sword art is still condensing madly, as if it is rejecting and unwilling to become a part of the Nine Domain Sword Art.
This Tai clan sword art is the supreme sword art of the Tai clan. Now naturally, it is unwilling to integrate itself into a sword art, and it actually broke out a fierce resistance.
This resistance is even attacking Chu Fengmian's sword art.
This is a sign of going astray.
Many sword cultivators are unable to subdue the sword art, but are affected by the sword art and completely go astray.
However, Chu Fengmian was such a person that his swordsmanship had already reached the peak. With his current swordsmanship, he was invincible even in the last era.
No matter how strong the Tai clan swordsmanship was, it was impossible to resist Chu Fengmian or even influence him. He was extremely calm and did not panic at all. He enveloped him with his sword intent.
Under the cover of the huge sword intent, the power of the Tai clan swordsmanship began to weaken, and was gradually integrated into the ancient swordsmanship books.
One hour, two hours, three hours
Chu Fengmian did not even know how much time had passed.
All his consciousness was now suppressing the power of the Tai clan swordsmanship, and he wanted to completely integrate the Tai clan swordsmanship into himself, but as time passed.
The power of the Tai clan swordsmanship to resist was getting weaker and weaker, and many of its mysteries had been integrated into the ancient swordsmanship books.
Finally, after an unknown amount of time, the mystery of the Taizu swordsmanship has been completely integrated into the ancient swordsmanship books. The condensation of the chapters in the ancient swordsmanship books has also been completely completed and closed. The Taizu swordsmanship has been included in the ancient swordsmanship books.
At this moment, it is time for Chu Fengmian to condense the third style of the Nine Domain Swordsmanship.
"Taishang Yiyi, since it comes from the Taizu swordsmanship, this style will be called Taishang."
Chu Fengmian muttered silently.
A huge and boundless sword intent burst out from the ancient swordsmanship books. In this sword intent, the shadow of the Taizu swordsmanship can be clearly felt, but the swordsmanship in essence is Chu Fengmian's swordsmanship.
The Taizu swordsmanship has been completely integrated into the ancient swordsmanship books and turned into the swordsmanship mastered by Chu Fengmian.
The third style of the Nine Domain Swordsmanship, Taishang, was also created.
A sword intent rose from Chu Fengmian's body.
If the ancient sword book is a rare item that Chu Fengmian collected from all the swordsmanship in the world, then this Nine Realms Swordsmanship is the crystallization of Chu Fengmian's true swordsmanship.
Chu Fengmian created the ancient sword book to perfect the swordsmanship and create the Nine Realms Swordsmanship that surpasses everything.
The creation of Tai Shang, the third form of the Nine Realms Swordsmanship, also perfected the Nine Realms Swordsmanship again.
Chu Fengmian created the Nine Realms Sword Art by chance, but now, as he became stronger, he understood the importance of the Nine Realms Sword Art.
The Nine Realms Sword Art was about whether Chu Fengmian could take the last step, the step that all sword arts had never taken.
The moment when the Nine Realms Sword Art was completely completed was the moment when the sword art was complete and Chu Fengmian stepped into the origin of the sword art.
"Huh."
Chu Fengmian slowly calmed down the sword intent in his body and stood up.
He checked and found that Chu Fengmian had been in seclusion for a week.
Originally, Chu Fengmian was only planning to integrate the Tai Clan Sword Art into the ancient sword art books. The mystery of the Tai Clan Sword Art was beyond Chu Fengmian's expectations, so that he finally used the Tai Clan Sword Art to create the third style of the Nine Realms Sword Art, Tai Shang.
This was also an unexpected surprise.
Every style of the Nine Realms Sword Art is a sword art that transcends the ancient times.
The first move is Chu Fengmian's comprehension of swordsmanship from his previous life.
The second move is the condensation of the five moves of the first sword emperor's swordsmanship.
The third move is derived from the Tai clan's swordsmanship. The power of these three moves has surpassed the original swordsmanship.
Of course, all of this is also thanks to the incomplete swordsmanship in the swordsmanship totem.
If Chu Fengmian had not obtained the swordsmanship totem and comprehended the incomplete swordsmanship from it, which allowed his swordsmanship to take another step forward and step into the level of the origin of the half-step swordsmanship.
He would not be able to do all this.
Originally, Chu Fengmian planned to create the third move of the Nine Realms Swordsmanship, which was to be created based on the many swordsmanship of the Heavenly Sword Territory. To be continued