Chapter 382 The Solidified Sea

The performance will eventually come to an end, and Tissot still slowly pushed away the waves and sailed across the sea that was playing beautiful music.

The radio no longer played the precautions from time to time, and it returned to calm.

The entire cabin was quiet, and there was no sound except the occasional sound of the robot moving in the corridor.

The waves returned to their normal state, shining and beating the sea surface.

But at this time, Mo Ling could no longer look at this sea with normal eyes.

Under the sea surface that was as clean as diamonds, I don’t know what else is hidden.

As Tissot moved forward, Mo Ling found that this sea was gradually becoming more and more viscous, and Tissot’s progress became slower and slower.

Not only that, the small crystals shining in the sea began to grow larger and larger.

Because the sea water became viscous, like silt, the traces of Tissot sailing on the sea surface would not be smooth for a long time, leaving a long "scratch" behind the ship.

However, in this increasingly solidified sea, "normal" creatures began to appear.

Some small fishes swam leisurely in the shallow water, seaweeds were fixed on some solidified crystals, and in the deepest part that Moring could see, there were some strange marine creatures living freely.

The seawater was obviously too viscous for the survival of creatures, but many unaffected creatures appeared here, which became "vibrant".

These creatures also had a special appearance. They were like sculptures made of glass, transparent and very delicate.

Through the transparent epidermis, the shape of their internal organs could be seen.

The internal organs were also transparent, like a bunch of crystal jelly, which was squeezed into different shapes under the movement of the creatures.

These glass creatures were completely unaffected by solidification, just like normal creatures living in the sea, very flexible, and were crushed by the approaching Tissot and ran around, swinging their tails and escaping far away.

When Tissot continued to move forward, Moring saw some large glass creatures again.

A group of glass dolphins crossed the sea and plunged into it. They seemed to be curious about the Tissot that came from afar. They followed the Tissot and played around together. After a while, they gradually went away.

With the embellishment of these glass creatures, the sea became more and more lively.

However, Mo Ling was still frightened at this time.

Behind the beautiful symphony are the earthbound spirits that cannot escape, so what are behind these extremely beautiful glass creatures?

The shapes of these creatures are no different from normal creatures.

Mo Ling also saw many common fish. Except that their bodies became transparent, their appearance did not change at all.

They were like the original members of this sea, swimming freely in the shining diamond sea:

The small mouth of a glass fish kept opening and closing, swallowing the small crystals that could be seen everywhere in the sea water.

At this time, a glass sea snake with a huge body twisted its body and swam over, as if it wanted to sneak attack the small fish, but the stirring crystals still attracted the attention of the small fish.

The little fish noticed the sea snake instantly, quickly jumped away, and hid between two large crystals. The sea snake came to the crystal and tried, but its huge body could not enter at all, so it could only leave in disgrace.

The little fish that survived the disaster carefully poked its head out, and seeing that the sea snake had disappeared, it swam out from between the crystals with peace of mind.

However, at this time, a thick transparent tentacle stretched out from behind, instantly binding the little fish tightly.

A squid that had been hiding between the crystals revealed its original appearance and launched an attack without making a sound.

The little fish kept struggling, but could not escape the powerful tentacle. In the end, it could only be put into the mouth of the squid, and its transparent body appeared in the squid's belly, which was clearly visible.

After the hunt, the squid shrank back again, hiding between the crystals, waiting for the arrival of the next prey.

Such scenes can be seen everywhere in this sea area, and there is no difference from other lively sea areas.

It just changed the color.

As Tissot moved forward, the crystals became larger and larger.

And these crystals were like coral reefs, or they replaced the original role of coral reefs in the sea, and were inhabited by various creatures.

Small marine creatures shuttled through the crystals, some mollusks also clung to the crystals, and predators swam outside the crystals, looking for prey.

As Tissot moved forward, Mo Ling was amazed.

"What a unique ecology."

However, such a scene still made Mo Ling feel very weird.

Obviously they were completely different life forms, but the ecosystems were extremely similar.

It was like some kind of - poor imitation.

Or, it was like a "mirror" of a normal ecosystem.

Make everything transparent, and then move it over, and find something to replace what is missing, and don't care whether it is reasonable or not.

Obviously this shining sea is very beautiful, vibrant, and energetic, but the strong sense of disharmony made Mo Ling feel extremely uncomfortable:

The fish fins flapped in the thick water, and they could move freely.

The completely transparent predator hid behind the completely transparent crystal, but the prey turned a blind eye and fell into the trap.

The crystal would float away if pushed, but the huge predator stared blankly at the prey that had entered the crack of the crystal, unable to do anything.

The wandering fish are sometimes blocked by the crystals, and sometimes they pass through them as if they were air.

…

Under the sunlight, the huge crystals in this sea area sparkle, and everything is in order.

But Mo Ling feels like he is watching a "show".

The sea gradually solidifies, and the show becomes more and more outrageous.

Those glass creatures begin to shuttle in the center of the crystals, as if the crystals do not exist.

But every time they are chased, these creatures can use the crystals as cover.

It seems that those crystals that are getting bigger and bigger are just props for some kind of performance. When you want to use them, you take them out and use them, and when you don't, you treat them as non-existent.

Mo Ling is more and more stunned.

"Who is this performance for?"

Why do you want to simulate a normal ecosystem?

Mo Ling can't think of a suitable answer. He can only follow the Tissot, and his vision keeps changing, watching this performance that keeps getting out of hand.

The Tissot's progress is also affected by the gradually larger crystals, and its speed has obviously slowed down a lot.

However, those crystals seemed to have no weight and were very fragile, like foam floating in the sea. A slight touch from the drill on the bow broke them into pieces and drifted away.

Tissot was like a silent passer-by, passing by this bustling sea.

The radio occasionally broadcast some precautions, calmly, as if everything outside had nothing to do with the ship:

"Estimated time of docking: tomorrow morning, please pack your luggage in advance."

"No leaving the room on the ship..."

"No loud noises in the room..."

"No shooting postures in the room to throw paper balls..."