Chapter 330 Movie Casting

"Then..." Mima Takahashi hesitated for a moment, and then said: "What type of project does Mr. Fujiwara's new work plan?"

"Suspense type." Kei Fujiwara said, then patted Arima Sai on the shoulder, "Go and get me a bottle of coconut water from the refrigerator."

Arimasai ran away, and Takahashi Mima said: "Mr. Fujiwara, I know you are very good at this type of story, but just after "White Night" failed, you started to create the same type of story. Does the video go against the market trend?"

"The trend of the market changes at any time. The confidence lost because of a failed work will also be revived by the success of another work. So there is no need to be too obsessed with past experience." Kei Fujiwara replied.

If other people say this, it is suspected of talking on paper, but Kei Fujiwara's words seem to be a bit authoritative. Mima Takahashi no longer objects, but also feels in his heart that if Kei Fujiwara can really make a film with good results The film works may be able to reverse Arima Guixiang's current poor situation.

Although Kei Fujiwara is a newcomer in the film industry, judging from his outstanding achievements in the literary and broadcasting industries, he may be able to achieve good results even in new fields.

"Mr. Fujiwara, do you have a script now? Can I take a look at it?" Takahashi Mima also wanted to take a look at the script before deciding whether to let Arima Guixiang participate.

As an agent who has been in the industry for more than 20 years, I also have a certain appreciation for scripts.

Kei Fujiwara took out a movie plan and said: "The movie script is not yet complete. There is only a plan. You can take a look."

There isn’t even an existing script yet... Takahashi Mima said sincerely.

After all, movies and TV series are different. Because TV series are filming and broadcasting mode, they can be turned on without the entire script, but movies are not such a shooting mode. The investment in a movie is higher, and it is broadcast once, so it is often not ready to start until the script is perfected.

If it were anyone else...

Takahashi Meicheng sighed, took over the plan, read it from beginning to end, read it almost hastily, and closed the plan book, just about to say something, Arima Guixiang said: "Sister Meicheng, I I really wanted to make this movie.”

Mima Takahashi glanced at her sideways: "Have you seen this plan?"

Arima Keixiang was startled: "Not yet."

You want to make a film if you haven't seen it... Takahashi Meicheng slandered, and at the same time felt in her heart: This little girl has lost her mind in the film, as long as it is Kei Fujiwara's request, she will not refuse.

"Did I say I disagree?" Mima Takahashi said, returning the plan to Kei Fujiwara, "Mr. Fujiwara, when do you plan to officially start filming."

"I'm making preparations now, and filming will officially start before the end of the year." Kei Fujiwara said.

"Well, then I won't arrange other jobs for Guixiang in the near future." Takahashi Mima said, "Mr. Fujiwara, Guixiang's recent situation is indeed a bit difficult, and she really needs a good work to reverse her popularity in the film market." So as long as the quality of the film is good enough, the company is willing to give you concessions in terms of contract and remuneration."

Takahashi Mima turned her head and glanced at Arima Guixiang, and said, "I grew up watching Guixiang grow up. Although he is a manager, he is more like a relative. Although this child Guixiang is not the first time with Mr. Fujiwara We have cooperated, but this time the cooperation is different from the past, I am afraid it will require you to worry more, thank you very much."

"Sister Meicheng..."

With that said, Mima Takahashi bowed to Kei Fujiwara very solemnly.

"You can rest assured." Fujiwara Kei said.

"Then I'll leave first. Regarding the new movie, I'll report to the company first."

Saying that, Mima Takahashi left first. After Mima Takahashi left, Youma Jianzhai quickly picked up the proposal book and read it. The proposal book has a general story plot and character settings, and you Ma Jianzhai can read it at a glance. I fell in love with the role of "Watanabe Shuya".

Despite his age, he plays a villain in the movie, but he is an extremely important role in the movie. The character image is very full and complex. Arimama Sai was attracted at first glance and became excited soon after.

"Teacher Fujiwara, am I playing Shuya Watanabe?" asked Arimamasai.

Kei Fujiwara looked at him and said: "I have this idea, but it still depends on your audition performance. If you can't perform up to the standard, I will consider replacing you."

Kei Fujiwara intends to take this movie as his first work as a film director, so he must find a way to ensure the quality. Except for Arima Guixiang, who does not consider replacing the main character, Kei Fujiwara will not consider replacing any actor who may hinder the overall quality of the film. Give up hesitantly.

"Don't worry, Mr. Fujiwara, I will definitely be able to play this role well!"

Kei Fujiwara turned to look at Guixiang Arima: "I will write the movie script for you within three days, and then you study it in advance. This time, both you and I must win this turnaround. Do you understand? ?”

"Yes." Arima Guixiang nodded solemnly.

Fujiwara Kei also made an appointment with Ono Nagaji at night, so he didn't stay at Arima Guixiang's house for too long, and the light bulb of Arima Jiansai was stuck here, so he couldn't get tired of it, so he left first.

It wasn't until Kei Fujiwara left that Arimama Sai realized: "Three days? He can write it in three days?"

…

Before Ohno Nagaharu came to find Kei Fujiwara, Fujiwara Kei went to Ohno's house first. After Ohno Nagaharu saw Kei Fujiwara, he directly said: "Let me make it clear first, I have never been a producer, I can be a director. It’s okay to borrow money to invest, but I’m not good at producing.”

"I will take on part of the production work myself. Don't worry, you can do it." Kei Fujiwara said, "This is my first movie, and I want to choose someone who is trustworthy and familiar enough to be responsible for the production."

A new producer will inevitably have to adjust, and if there is a deviation in the production concept, the director and producer may have to compete for a while. It was Kei Fujiwara's first time making a movie and he didn't want to waste his energy on meaningless internal friction.

It's fine if there are conflicts due to different production concepts. The most frightening thing is that some producers just want to compete for the identity of the top of the crew so that they can harvest the biggest fruits of victory after the project is successful. This is a headache.

So at first, Kei Fujiwara's candidates were Yui Mizuhara and Shuzo Kobayashi, but now they are unable to get away, so Kei Fujiwara is afraid that the target is Nagaharu Ohno.

Ohno Nagaharu has rich experience in independent production, and has both failure and success experiences. He also followed the crew throughout the filming of "White Night Journey", so he also has experience in controlling a large crew.

Moreover, if Kei Fujiwara wants to form his own team in the future, he also needs a partner who understands both production and directing. Kei Fujiwara is not confident that Yui Mizuhara will leave her promising career in the TV station to join his grass-stage team. Nagaharu Ohno Will be his most reliable partner in the future.