Chapter 201 Watching a Show

Fujiwara Kei also clearly noticed the change in Inoue Morisaka's body shape. The child just passed his fourteenth birthday not long ago. After three months of filming, his size has already gone from under the chest to the collarbone.

Girls usually stop growing when they are 16 years old, so this period is the fastest time to grow, every day is different, and when the shutdown ceremony is approaching, Kei Fujiwara keenly found that Mori Inoue began to hunched subconsciously when walking again With his back on his back, it seems that other aspects besides his height have also entered a period of development.

However, Kei Fujiwara was not interested in the second part of "Homeless Children", and he had no intention of writing for a long time, and the department executive had no choice but to watch Mori Inoue grow taller with grief.

The production bureau also came to Kei Fujiwara, with a very low profile, hoping that Kei Fujiwara could cooperate with the production bureau and provide the production bureau with scripts.

The production bureau also figured it out. With the momentum of Kei Fujiwara, before his contract expires, the water from the production bureau will not be poured in during the time of [June 9].

Their water waves cannot come in, but Fujiwara Kei's water can be poured in at any time.

After "Homeless Children" achieved historic results, the trust of Yoshida Kashi and the shareholders of the TV station in Fujiwara Keiki has reached its peak, and his [Month Ninth] is no one else even thinking about it. But if Kei Fujiwara takes a fancy to someone else's time slot, the situation will be different.

Therefore, the production bureau no longer dares to have any thoughts about Kei Fujiwara. On the contrary, they are still afraid that Kei Fujiwara has thoughts about them.

Kei Fujiwara doesn't want to reach out to other time slots yet, but there are people who adhere to the concept of cooperation if they can't win and take the initiative to find Kei Fujiwara.

A young producer hopes to produce a drama in the late night time slot. He wants to film a [Kei Fujiwara's work]. But I also know that it is impossible for Kei Fujiwara to write a drama for himself, so I hope that the other party can open up authorization so that I can find a screenwriter to write a derivative drama of "Furuhata Rensaburo".

Kei Fujiwara agreed, signed a supplementary agreement, and received the licensing fee according to the share ratio. Therefore, the late-night drama "Imaizumi Shintaro", which featured Furahata Jinzaburo's assistant as the protagonist, began to be officially broadcast in the late-night period one month later.

The broadcast of such a spin-off drama can also build popularity for the second part of "Furuhata Rensaburo".

Kei Fujiwara was revising the script of "Housekeeper Mita" in the office, when the phone rang suddenly, and the operator on the other end of the phone said, "Mr. Fujiwara, someone said that he is the organizer of the peer film festival. Come in?"

Kei Fujiwara was startled. The organizer of the peer film festival? Could it be that the movie was notified after it passed censorship? How could you contact yourself directly?

"Come in." Kei Fujiwara said directly.

After the receiver rang twice, the phone was connected, and a man's voice said: "Mr. Fujiwara, we are the organizing committee of the Peer Film Festival, and I'm sorry to bother you."

"Don't bother me, what's the matter?"

"That's right, we are here to invite you to be a special audience of our film festival and participate in the evaluation of the films on display. I wonder if you have time?"

Kei Fujiwara was delighted, the co-author came to him to be the judge.

Normally, Kei Fujiwara might have agreed directly. The peer film festival is quite famous in Japan, far more famous than any college student film festival in China. There is also some good talent to be found at the festival.

But that won’t work this year. His works will also have to participate in the film festival competition. There is no reason to be a referee and an athlete at the same time.

"I'm really sorry, we may not be able to do it this year. Thank you very much for your invitation." Kei Fujiwara said.

The person on the other side didn't bother and said, "That's right. That's really a pity. I'm sorry to bother you, Mr. Fujiwara."

"It's okay...Wait a minute, I would like to ask, has the first round of review of the movie ended?"

"Not yet, but it's coming soon. In a few days, the film authors will be notified and the list of exhibitors will be announced..." The other person replied, but he felt a little strange. You're not here. Why are you asking so many questions?

"Okay, thank you." Fujiwara Kei said.

"Dong dong." There was a knock on the office door suddenly. Fujiwara Kei looked up and felt a little strange. The person who knocked on the door was very rude. No one in the company should do this. Who was it?

"Please come in." Kei Fujiwara greeted.

"Dong dong." The door was knocked twice more, but the person at the door remained silent.

Fujiwara Kei narrowed his eyes, his brain was running at high speed, and he smiled: "Masai, come in."

The doorknob turned, and Arimama Sai showed up behind the door: "How did you guess that?"

"No one else is as boring as you."

Arima Sai walked in with his sleeves rolled up, "I heard that "Homeless Children" broke the ratings record. I came to congratulate you... It is indeed a TV series that I have participated in."

"What are you doing here?"

"It's so heartbreaking? I can't come and see you if I have nothing to do? Will you ask my sister this kind of question when she comes?"

"Okay, then you have a look." Fujiwara Kei said with a smile, and continued to write his own things with his head down. This kid left when he had no interest in staying here.

Arimasai looked at Kei Fujiwara's office and walked around in circles. Kei Fujiwara's office was in a minimalist style, with nothing in it, but a lot of potted plants and green plants. Arimasai ran to the window to do something wrong. The green leaves are gone. After playing for a while, I felt bored again, so I sat directly opposite Fujiwara Kei, took out two tickets from my pocket, and slapped them on the desk.

"This Sunday, I have a performance at the Shinjuku 1-chome Koma Theater. Come and see it then. My sister is also there."

Kei Fujiwara glanced at the table, "Why two tickets?"

"Well...you can also bring others to see it then."

"Okay, I'll take Miss Mizuhara with me later." Kei Fujiwara opened the drawer and threw the ticket in.

Arimamasai suddenly became anxious: "Is it ridiculous for you to take another woman with you while my sister is here? Aren't you afraid of the Shura Field?"

"Then who do you want me to take?"

"...It's not what I hope. It depends on yourself...ahem... By the way, how is that guy Inoue doing? Oops, I almost forgot, you can take Inoue with you!"

Kei Fujiwara couldn't help it anymore, put down his pen and stared at him - your acting skills are too bad.

Under the gaze of Kei Fujiwara, Arimasai blushed like a tomato, but he still insisted: "You... Come here as much as you can, and forget it if you don't have time."

After all, he is still a fifteen or sixteen year old child. Fujiwara Kei smiled, stopped teasing him, and said directly: "Okay, I will try my best to be there by then. Even if I can't be there, I will let Inoue go."

"I didn't mean that..." You Ma Jiansai was not stupid, knowing that Kei Fujiwara had seen through everything, and explaining everything would be superfluous, so he muttered a few words and left quickly.

Fujiwara Kei contacted Inoue Morisaka's mother and agent, and asked her what her arrangements were for Sunday. Ms. Inoue had no opinion, and Fujiwara Kei was very relieved. The agent even agreed directly.

Now Kei Fujiwara is like a launch vehicle in the broadcast industry. As long as an artist can be strapped onto Kei Fujiwara's big rocket, he can be launched into the sky and become a star. From Aoi Kono, Takaharu Miyata, and now Morimata Inoue, there are countless successful cases.

The agent also hopes that Inoue Mori can establish a good relationship with the launch vehicle again. It would be best if he starred in two more of his works to consolidate his position.

After getting the consent of his agent and mother, Kei Fujiwara went to ask Moriya Inoue if she wanted to go, and Moriya Inoue immediately agreed, looking very interested.

On Sunday, Kei Fujiwara put on a mask and a hat for Inoue Mori and went to the Koma Theater in Shinjuku.

This theater is a traditional theater in Japan. It is located on Kabukicho Street. It performs traditional plays, modern operas, or concerts every day. It is very famous.

After the two got off the car, they walked into the theater and walked towards the seats on the ticket stubs. Arima Keika had already arrived and waved to Fujiwara Keiichi.

Fujiwara Kei also waved to Arima Katsura, and just about to walk over, Inoue Mori took the lead to start again, ran to Arima Katsura and said hello, "Miss Arima, hello, I'm Inoue Moriya, please give me your advice."

Arima Katsura smiled and said: "Hello Morimata, I watched "Homeless Child" and your performance was very exciting."

"Thank you for the compliment." Inoue Mori bowed again, then sat down on the seat next to Arima Keika.