Chapter 1858: Artistic Conception of Four Famous Paintings

March 25, Sunday, morning, Okutama, Oikawa Takerai's villa.

Yamazaki changed his clothes, approached Oikawa Takerai and Kamihara Haruhito, and offered to buy the pair of "Blue Arashi", Kamihara Haruhito's "Blue Arashi", and the price was a check for 100 million yen.

Oikawa Takerai and Kamihara Haruhito didn't recognize Yamazaki. His appearance was so ordinary that people couldn't remember it, and Yamazaki didn't give his name. It was enough that the check was real.

Oikawa Takerai was surprised by the price, "Are you serious?"

Yamazaki said: "Yes, this is actually a rare masterpiece."

"Your appreciation makes me very happy." Haruhito Kanbara said seriously, "But I want to make it clear that this is my work, not Takerai's work, not the three works of "Red Lotus", "Golden" and "Pure White". A follow-up to a by-work."

"I know." Yamazaki said, "The three paintings "Red Lotus", "Golden", and "Pure White", and Mr. Kawatake Rai have actually said very clearly that his heart is dead."

Oikawa Takerai was shocked, "You, what did you say!"

Yamazaki said: ""Red Lotus", "Gold" and "Pure White" show not only your lifelong learning, but also your feelings, your mind, you should not realize why you draw They, not others, the vast majority of people can only see the paintings, but not the artistic conception in the paintings."

"The first painting "Red Lotus" depicts a red lotus that does not move in the breeze. The ripples in the pond represent the breeze, expressing the flowers in summer."

"However, Red Lotus has another explanation, and that is the Red Lotus Karmic Fire that burns everything."

"While painting this painting, your wife had a serious car accident, you didn't have enough money, you were angry, you were annoyed, but there was nothing you could do."

"All you can do is draw a picture, and you put all your anger into this picture."

"The ripples of the breeze in the painting do not refer to the tranquility of summer, but the tranquility before the storm, which is a precursor to your collapse."

"If this painting is not successful, you will probably die with your wife."

"The red lotus is not really about the red lotus rippling in the breeze on a summer pond, but about the anger you're full of that hasn't exploded."

Oikawa Takerai's tears flowed out, and Kanbara Haruhito choked with tears and said, "There is also anger towards me, because I forced him to paint, and the car accident was also caused by a tornado on the way to collect wind."

Yamazaki said: "The second "Gold" depicts a golden moon, and the swaying rice ears in the field represent the strong wind, expressing the moon in autumn."

"In addition, autumn is the harvest season, but the strong winds sway the ears of rice in the fields, which represents the uncertainty of the harvest."

"The harvest represents hope. If the food is harvested, there is hope to continue to live. The uncertainty of the harvest is also the uncertainty of hope."

"When you painted this painting, Mr. Oikawa, your painting has already been recognized. Although there is still a shortage of money, there is no shortage of people who are willing to invest in you, so money is no longer a problem."

"The problem is your wife's body. At that time, your wife was in a vegetative state. Money can't help you. You can only hope."

"You painted this painting with the hope that your wife would open her eyes like the moon's light."

"What "Golden" really expresses is not a moon over the autumn fields that sprinkles golden light all over the place, but your full golden hope that your wife will get well."

Haruhito Kanbara burst into tears, and Yori Oikawa said in tears, "I hope there is no use...she..."

Yamazaki said: "The third painting "Pure White" depicts a red-crowned crane in the snow. The motionless crane feathers and snow represent the absence of wind, expressing the snow and birds in winter."

"Red-crowned cranes are generally regarded as migratory birds, and at the same time they are generally in groups,

A red-crowned crane in the snow is actually you, Mr. Oikawa. "

"After your wife died, your heart was frozen like the ice field in the picture. You are the red-crowned crane, alone, standing alone in the ice and snow waiting to die."

"There is no wind, it is not the calm after the snow, but your heart did not fluctuate at that time."

"What "Pure White" really expresses is not a dying red-crowned crane on a winter ice field, but that you yourself are in a pale world, and your world has no color."

Oi Chuanwu Lai cried: "She is dead, what is the meaning of my life, no matter how good the painting is, no matter how much money it sells, I can't make her come back to life."

Kanbara Haruhito cried: "I'm sorry, it's my fault, I insisted on forcing you to paint, and forced you to play tricks."

Yamazaki said: "According to the first three paintings, "Red Lotus" in summer, "Golden" in autumn, and "Pure White" in winter, "Blue Lane" expresses the wind of spring."

"Spring is the season for all things to grow. Winter is over and spring is here. Mr. Kanbara, you asked Mr. Oikawa to paint "Blue Lane" to make him come alive."

"But when manpower was limited, you failed to restore Mr. Oikawa, and his heart was still frozen, but you finally found a support for him, that is, the promise of being able to draw "Blue Lane", so that he did not commit suicide."

"It's just that if there is no painting in the end, the reputation you and Oikawa-san won so hard will plummet, so in order to fulfill your promise to the outside world, you can only bite the bullet and paint it yourself, but the result is an unexpected surprise."

"Your painting "Qing Lan" depicts the gentle wind blowing the young leaves on the trees on the grassland in spring, but what really expresses is not the wind and spring, but the newly grown grass and the newly sprouted leaves, which is yours, Mr. Shen Yuan. The heart is alive again, and the painting contains infinite joy."

Kanhara Haruhito wiped his tears and said: "You are right, I thought I couldn't do it because my hands were useless, but after I actually went to draw, I realized that I was too stupid before, and my hands were useless , you can also bite with your teeth, as long as you want to paint in your heart, you can do it.”

Yamazaki asked, "So, now, can you sell me the painting?"

Haruhito Kanbara said, "No, I will not sell this painting, but I am willing to give it to you."

"Well, since you said that, I will be disrespectful." Yamazaki said, "Then this check will be handed over to Mr. Oikawa."

"Me?" Oikawa Takerai wiped away tears.

Yamazaki said: "Since you did not choose to commit suicide, then I believe that one day you will paint your "Blue Lane", and this should be regarded as an advance payment."

"Yeah……"

Kamihara Haruhito was very happy and prepared to agree, and then realized that he shouldn't promise anything on behalf of Oikawa Takerai, so he looked at Oikawa Takerai and stopped talking.

Oikawa Takerai was silent for a while, "What if, what if I die?"

Yamazaki said with a smile: "In order to save your reputation, you concocted a fake Kidd. I believe Mr. Oikawa, you will not choose to commit suicide again."

Oikawa Takeyori blushed with shame, and so did Kamihara Haruhito.

Yamazaki understands that Kamihara Haruhito originally planned to give his "Blue Arashi" to Oikawa Takerai, but he was afraid of being seen through by the art world.

Although as long as it is not said that it is drawn with teeth, experts will definitely be able to identify problems with the painting method. There are differences between those who draw with teeth and those who draw with hands.

Therefore, in the end, Kamihara Haruhito didn't dare to show it, and he didn't even dare to tell Oikawa Takerai.

Yamazaki continued: "If Mr. Oikawa dies, I will use this money as a sponsor for your painting classroom. If your lineage is passed on, one day you may be able to paint such masterpieces full of artistic conception."

"Thank you." Oikawa Takerai nodded and said, "Then, I will accept it."

After that, when Kawatake installed "Qing Lan", Yamazaki stood up and said goodbye, and was escorted to the door by Oikawa and Kamihara Haruhito.

After the two parties saluted, Yamazaki left, Oikawa Takerai and Kamihara Haruhito watched him go away, and looked back at each other.

Neither of them spoke, not knowing what to say or where to start.

At this time, a cool wind blew.

"Let's go, let's go home." Oikawa Takerai stretched out his hand to support Kamihara Haruhito.

"Yeah." Kamihara Haruhito cried again, and Kawatakerai's actions showed that Kawatakerai, his disciple, and his son-in-law had forgiven him, at least at the beginning, and that was good. ...

Before noon, Miyamoto's house.

Yamazaki took out "Qing Lan" for Miyamoto Ichiro, Miyamoto Miko, and Mei Daiko to appreciate.

Mei Daizi smiled and said, "Well, this is a delightful painting."

Miyamoto Miko said: "It's really good, you can send it to the art museum later."

"Got it, let's have dinner." Mei Daizi smiled. ...

In the afternoon, Mihua Art Museum.

Mei Daizi and Yamazaki brought the three Tarhan sisters together to deliver the paintings, and casually introduced the three Tarhan sisters to the curator Ochiai.

"You, your wife? All three?"

"That's right."

"..."

Seeing Director Ochiai blowing his beard and staring speechlessly, Mei Daizi was very happy, and this effect was what she wanted.

Yamazaki presented "Qing Lan" in a funny way, and curator Ochiai suddenly became speechless in another way, blowing his beard and staring.

Regardless of him, Yamazaki and Mei Daizi took the three sisters of Talhan to visit the Mihua Art Museum.

The Mihua Art Museum is generally managed by the art department of the Meidaizi Invincible Girl Club, and the director of Ochiai is responsible for the supervision, especially the expansion of the collection of the museum, that is, the purchase of works by famous artists, as well as the affairs of exchanging works with other art museums .

The art gallery has a special exhibition hall to display the works produced by the art department of Invincible Girl Club, which are representative works of members of each branch.

Calligraphy, ink painting, watercolor painting, oil painting, lacquerware, pottery, porcelain, wood carving, plaster statue, clothing, etc., and even special material works such as plastic bottles, toothpicks, and bottle caps. You can write comments in front of all works This is the difference between it and the works of famous masters.

These works of art are also rotated. Most of the large-scale facilities of the Good Mood Foundation have exhibition stands, and they will also be sold as commodities.

The reason why the works of famous artists are well received is because they are the works of famous artists, but in fact, in the eyes of most people, the works of these members are not inferior to the works of famous artists, maybe even better looking, and more importantly, they are cheap and unique .

Many people are willing to buy such a cheap and unique exquisite artwork for decoration.

There is also a museum hall in the art gallery, all of which are sunken items, which were salvaged from the sea by the Pacific Maritime Group. It cannot be said that they are of high value, but they are all of historical significance.

It is also a rotation system, because there are countless items on a shipwreck, a desk-sized ship model, coupled with real objects, sails, cables, wine glasses, candlesticks on the ship, gold coins and silver coins for trade, etc., plus The representative crew dolls are scattered here and there, almost occupying an exhibition hall.

This exhibition is a 17th century British sailing battleship found in the Caribbean Sea.

After wandering around for a while, the five went back to find Director Ochiai, bid him farewell and left. ...

March 26, Monday, afternoon, Miyamoto's house.

When Miko Miyamoto came back from get off work, she read the notices from Yamazaki and Meidaiko, 641 and 643, and agreed that they could go to watch the cherry blossoms. ...