My Cartoonist Guide

Chapter 385 "Poison" And "Grass Immortal"

"Mountain God" is a fairy tale cartoon.

A child who grew up in the city came to the countryside with his parents for the first time.

They are not used to sanitation and accommodation, and children don't have a good impression of the countryside.

"Go to bed early, or the mountain god will catch you." The grandma in the country said to the child.

Children don't believe it.

In the hot middle of the night, the child came out of the house, but accidentally saw a fox running in front of him. The child trotted all the way, followed the fox, ran out of the door, and entered the mountain.

Thus, he entered another world, and everywhere was full of fantasy.

Talking foxes, snakes, squirrels, and moving plants make children feel like they are in a dream.

He was playing with these animals, but the sky was raining heavily, so he could only hide under the huge leaves to carry the rain, and gradually fell asleep.

When he woke up, he sat in the yard with a backache and a sore back. There were no talking animals or fantasy worlds around him.

...

The story is simple and the plot is flat.

What Shen Xin likes most is the cartoonist's painting style, which looks very simple and makes him feel very comfortable.

This is why Shen Xin said that he likes this comic, but he does not represent the market, and he can clearly feel that this comic is difficult to be recognized by the market.

“The problem with Mountain God is,

It can neither reach the level of applause or popularity, nor can it attract a large number of readers. It is said that it is not a commercial comic, but it has compromised to commercial comics, but the compromise is not thorough enough, the story is too plain and there are no waves. Hence, the current situation is created. But for readers who like a slow pace, it's actually not bad to read such comics. You don't need to bring in too much, you just need to simply consider the story itself. "

Shen Xin expressed her own understanding.

For the same subject matter, cartoonists approach it from different angles.

This has also resulted in many comics that seem similar, but actually have differences.

If Shen Xin were to draw this cartoon, she would definitely not draw it like this.

Before creating, he must go through market research and know what type of comics readers like before starting to write.

This approach is very utilitarian, but for most cartoonists, survival is the first priority.

Maybe someone enters this circle with a dream, but after entering, they will find that they have to face a problem called survival.

Therefore, there is a saying that cartoonists are gamblers.

Unless one can live on the work for a lifetime, even if there is a blockbuster work, the author still has to worry about whether the next work will hit the street.

Wang Wenhong sighed, "It seems that I am getting old."

"Why do you say that?" Shen Xin asked curiously.

"Because, I like this kind of comics more now, um...the mind can relax." Wang Wenhong was a little frustrated.

"But you should also know that such a work is unlikely to sell well." Shen Xin stretched her waist, "Besides, reading is a very personal thing, haven't you heard of, 'He's poison, my fairy grass'? ?”

"No." Wang Wenhong frowned slightly, slowly recalling the words "poison" and "celestial grass", which are indeed very similar to reading.

At this time, Xi Muhan came out of the kitchen, ran to the open space on the first floor, and said to the upstairs: "Brother Xin, Brother Wang, come down to eat."

"So fast?" Shen Xin was a little surprised, she wanted to draw this manuscript first, but it seems that I can only talk about it after dinner.

Wang Wenhong rubbed his nose and smiled, "Successfully rubbed rice."

Shen Xin glanced at Wang Wenhong angrily, that's all you have dreamed about.

However, Xiaohan's cooking skills are indeed very high.

At least, Shen Xin thinks that he will never be able to reach Xiaohan's level in his whole life.

After the meal, Wang Wenhong left, and the assistant continued to work. Shen Xin also picked up the pressure-sensitive pen and drew the words "The Distress of the Alchemist".

Xi Muhan sat opposite to Shen Xin, looked at Shen Xin who was drawing the original manuscript for a while, and then wrote a few words on the office software, and found that these words were not what she wanted.

"The one who came with Lu Ning today is her editor?"

"En." Xi Muhan nodded.

""Guotu"...how is it?"

"It's still under discussion." Xi Muhan took a deep breath, ""Girls Century" is the most likely. It's just that the size of this magazine is not as good as "Manga Fly". Even if "Girls Century" ranks first, in In the market, fame is still limited. The situation in "The Lightest Language" is similar. However, it can only be like this for the time being."

"Just write what you want. The magazine is just the link between you and the readers. In the future, you may not need this link."

Shen Xin bowed her head, and the pressure-sensitive strokes were drawn on the digital screen, and Nina and Alexander appeared under the pen.

It depends on how much impact the Internet can have on light novels.

Xi Muhan was at a loss, hesitant to speak, seeing Shen Xin bowing his head to paint, the doubts in his heart were put in his heart again.

...

"City of Carbon Mine" is not a big plot, so "Steel Refining Fa" omitted this sentence, but this sentence has a certain place in the early and late stages.

In this sentence, readers can clearly see a message. Although the "National Alchemist" can have a lot of resources, some people are very disgusted with the "National Alchemist" and call it "the army's running dog".

"Alchemists serve everyone. They sell their souls to the army in exchange for various privileges. Such alchemists will never be forgiven."

In particular, people who live on carbon mines are also oppressed by the military. These people have a deeper aversion to the "National Alchemist".

The publication of the third chapter also made readers doubt about Edward—whether Edward will really be in collusion with the army.

However, there is another message in this sentence that makes readers suddenly interested, that is, Edward and Al have masters.

When the two people mentioned the master, they were sweating profusely and fearful. The readers had an intuitive impression of this master—their teacher was definitely a very scary person.

According to the current plot, this "horrible" master should not appear in a short time.

To some extent, this is also the routine of comics. Since he is a teacher, he should be the protagonist's trump card, and he cannot come out until the critical moment.

The end of "City of Carbon Mine" is in the fourth episode.

Instead of relying on violence or the privilege of an alchemist to solve the domineering and greedy Lieutenant Yuki like in other comics, Edward used intellect to overcome his opponent, and the two brothers solved the whole thing without even fighting.

Can hot-blooded comics still play like this?

The readers were shocked, but they have to admit that the arrangement of "Smelting Steel" has a new idea.

This pair of brothers is different from the protagonists they often see.

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